Review by Alphonse Leong
Photography by Rodney Gitzel
The night began, though, with edgy, angst-ridden
energy in the form of a local all-female power trio (never thought
I'd use that term again) called Queazy. As the guitarist/vocalist
Laura Schultz admitted in her greeting to
the audience, they are "not adults now," they are "still
kids" (indeed, the band's bassist, with bobbed hair and kiss
curl, could be a TV daughter). But they have drive and, in a stand-around-on-the-dance-floor-like-zombies
way (which was popular amoung the audience), are quite engaging
to behold.
Essentially loud, mesmerizing, overdriven guitar
and in-your-face vocals set against pulsating, often oozy bass
and drums, Queazy's music echoes feelings of teen (and early twenties')
exuberance and frustration. I couldn't make out a lot of the lyrics,
but Schultz certainly seemed to mean what she was singing. On
their last few numbers, Schultz let out some nice long shrieks
that seemed to be made on behalf of all of us, and the crowd expressed
their appreciation.
The Pursuit of Happiness
sauntered casually onstage
and lit into the short and sweet "Hate Engine." This
witty, catchy reflection on a lost relationship ("you told
your friends how I was in bed to make my humiliation complete...hey,
can't we just be friends?!") set the tone for the night.
Moe Berg is extremely articulate and he spits out his lines with
all the measured diction of a stand-up comic. He's just as funny,
too; even as you body grooves to the melodies, the lyrics tug
at your brain ("you're not smart enough for Shakespeare,
but you're hip enough to know that the Merchant of Venice is racist!").
Tunes like "Tara," "Cigarette Dangles" and "The Truth" were performed with respect for the recorded versions, yet they really sounded fresh and alive. The dance floor was packed and throbbing (I'm glad I'm not claustrophobic) and, as the evening wore on, hearty moshers ringed the stage. The real crowd-igniter was "I'm An Adult Now," a song that holds up amazingly well for what once seemed to be just a light joke anthem.
Berg is a very forthright speaker and he spoke endearingly
of how he was denied admission to a Vancouver club because he
was wearing Adidas Gazelles -- and of how his band's contribution
to the Hard Core Logo
soundtrack "kicked everyone else's ass!" Called "Edmonton Blockheater," it
did kick, as did "She's the Devil," which was
the main set's closer. The band then came back and did some covers
(the seemingly fitting "Sugar, Sugar" and Poison's "Talk
Dirty to Me") and you had to smile.
Peering out of his black rims with a sheepish semi-smile, Moe Berg seems like the most unlikely pop star ("Hey, girls, don't be thinkin' about me when you're having sex with your boyfriends tonight!" he said at one point), but he's good and ya gotta love the guy!
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