Review by Darren Gawle
Grapes photography by Jeff Hornby
I must confess, I never really did like the Grapes of Wrath the
first time around -- I suppose there was just too much testosterone
flowing through my eighteen-year-old body to let me appreciate
the folk-rock nuances of Treehouse. I mean, they sure didn't
rock like, well, the
Pursuit of Happiness did, and by the
time I sat up and said "Hey, that's a rather good cover of
'Let Me Roll It,' actually," it was too late. But, as we've
been swamped in an ever-swelling tide of neo-glam metal shite
over the past few years, I've come to miss the Grapes. Tonight
is the night I atone for my past ignorance, and the discipline
is to be administered by Jungle.
Any hope that Jungle might have something -- anything -- to do with drum 'n bass is dashed as we realize that Jungle is the newest abomination from Lucifer's own sphincter. Why oh why do we need a band that spouts cock-rock aphorisms like "the only crime in this world, Vancouver, is a crime against luuuuve!!!" and sounds almost exactly like Trooper? Oh wait, I get it -- they're playing an elaborate, ironic joke just like Strapping Young Lad (oh, please say you're playing an elaborate, ironic joke just like Strapping Young Lad, please...). Surrey would love this stuff. Enough said.
After a genteel pause that lets me reflect on how I'm now embarrassed
at even being in the same building as Jungle, the Grapes of Wrath
are upon us... well, half of them anyhow. Back to a three-piece
format, the Grapes have lost drummer Chris Hooper and keyboardist
Vincent Jones, which of course necessitates a change in Pink Floyd
covers. A foreshortened "Lucifer Sam" (no organ solo,
see...) has replaced "See Emily Play," and, as I was
too young and stupid to see the Grapes the first time around,
I can't tell you if it's an improvement.
Never mind that, the core of Tom and Kevin are here and so are most of the hits. "Backward Town" and "Do You Want to Tell Me?" are naturally trotted out to the audience's appreciation, with the biggest applause going to "All the Things I Wasn't" and a loose rendition of "I Am Here". Loose? Oh, lordy -- it's almost a trip back in time to see a very early Grapes of Wrath show, that's how rusty things are sounding up there.
Of course, Kevin hasn't lost any of the infamous attitude that's
probably keeping Chris away from the reunion. He stabs away at
his Rickenbacker and Gibsons with a perpetual sneer, leaving most
of the talking to Tom and his ever-flaky homilies like "Oh
thanks, you're too kind to us old-timers..."
But even without "O Lucky Man" on deck, the show's still
an event. The Grapes' rustiness only adds a touch of humanity
that keeps Kevin's evident contempt in check, and most of the
thirtysomethings in the audience are too busy with their trip
down amnesia lane to care.
It's a cliché, I know, but it took a few years without the Grapes of Wrath around for me too realize that I missed them. And though it may not be in the cards to have a new Grapes Of Wrath album out any time soon, hearing "Do You Want to Tell Me?" again has put me face to face with my own mortality (at twenty-seven, no less...), and maybe we will need the Grapes around again to see us through our approaching Golden Years.
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