Review by Dorothy Parvaz
Photography by Todd Duncan
So I was at the Calgary Stampede, er, I mean, Edgefest (although, the Stampede was going on at the same time... coincidence?), in the middle of a herd, I mean, crowd, making my way to the rodeo grounds, ah, make that the concert grounds...
Due to some delays in getting into the show, I missed Copyright altogether. Can't really complain, though. The parking was free (attaboys!) and the show ran like the Führer's train schedule.
Got in just in time to see Bif Naked coo and
scream about her daddy getting married. Compact and loud, Naked
strutted across stage, waving her tattooed arms around. Although
I've never been a fan, I gotta say, the lady puts on a decent
live show. She really seems to have a connection with the audience
-- who for some reason seem to think she's a hard-core punk. Of
course, a great deal of them were prepubescent and were dressed
like little raver-pixies.
The only thing that rubbed me the wrong way about
Naked's set was the song "Choatie." Now, I hope that
I'm misinterpreting that song somehow, but it sounds as though
she's explaining why she had to get rid of her baby -- whether
she gave it up for adoption or had it aborted, I'm not sure. I
don't find the song unsettling for political purposes, the narrator
of the song (I don't even know if it's autobiographical) did what
she had to do. What seemed sort of psychotic is watching Naked
sing that song with utmost glee, smiling from ear to ear. Whoo-hoo!
I had to get rid of my baby! Rock and roll! Hmm.
So then Bif's set was over and all you had to do
was walk 20 feet and you'd be in a great spot for the
Local Rabbits on the second, er, I mean, "Radio" stage.
The Rabbits were by far the most interesting act of the day.
The boys from Montreal played all of four songs, but Jesus were
they good. There's this loud guitar thing they've got going, sort
of a Sonic Youth/Dino Jr. hybrid. But they definitely have their
own sound. Muscle guitar one minute, bluesy country the next.
And those vocals. Ben Gunning and Peter Elkas share and swap the
singing/guitar duties with mucho flair. The set was waaaay too
short for my liking...
They should've bumped Creed off the bill and
given the Rabbit boys more time. No, this ain't chronological,
but I might as well get them out of the way. Creed suck. The thing
about them (besides the fact that they're laughably bad) is that
you can actually sing Pearl Jam lyrics to just about any of their
songs. I mean, this shit is old, and Creed don't even do a good
job of it. Appropriately, this is when I noticed the plane flying
overhead pulling a "Blow Yer Load With Metallica Sept. 4"
banner. Nice.
Holly McNarland was up on the main stage and, yeah, I dig her voice, but there just wasn't enough adrenaline in her set to make it fit in with an all-day rock fest. Okay, the part where she encouraged the crowd to go kick the crap out of CFOX's mascot was pretty cool.
The Killjoys next bounced
their way through their set on the second stage. The cool thing
about them was that, although they have a new disc out, they didn't
use this chance to ram it down everyone's throat (in other words,
they did play their old hit, "Today I Hate Everyone,"
a song near and dear to my heart). They really weren't anything
special though. Just white boy rock, kind of like the
Matthew
Good Band. Ah, have you heard their two CDs and heard
their big hits on the FOX? Well, that's pretty much all there
was to this set. The band sounds exactly like they do on their
recordings. Which isn't bad, just a bit dull. I mean, even the
band members themselves looked a little bored. The thing that
really works for me? The "aw" Matthew adds at the end
of the "I'm indestructible" line.
Sandwiched between the Killjoys and MGB were Econoline
Crush -- on the main stage, of course. Were these guys always
this dull? [ed. No, actually. But that was a lot of years
ago...] Yeah, I know, the audience seemed to be getting into
it -- there were some people moshing or something up front (and
they got told off for it, go figure), but man, these guys sound
so unremarkable. This is pretty much the point in the day when
it became clear just how schizo this festival was. I've never
seen so many people in Tool t-shirts (I counted 23) getting down
to glam rock. Maynard would be livid. Or not. Maybe religion isn't
the opiate of the masses, but sedate rock songs about... wait,
what are Econoline Crush's songs about anyway?
Before I could have too much fun with Marxism, Sloan
were up on stage. I wish I could really comment on
their set, but I was off somewhere, constructing an ark from nothing
but Coke cups and empty rum bottles. (Yeah, security did a great
job searching bags, by the way. You coulda walked in with Chris
Murphy's severed head in your bag and they wouldn't have noticed.)
See, it started pouring pretty much the second Sloan came on stage.
Hard. Which is too bad, because I've seen these guys play before
and they're quite something. Oh, they did alright. They even had
a bit of fun with "Money City Maniacs" (they jumped
into BTO's "Taking Care of Business" for a while there),
but a massive, soggy outdoor venue really isn't the best place
to see Sloan.
I was beginning to fall into a soggy coma by the
time the Foo Fighters hit the stage, but, goddamn, Dave
Grohl's belching sure woke me up. All hair and snarling teeth,
Grohl lead his band into an awesome, high-octane kind of set.
Right about then, the crowd really began to go insane -- there
were random articles of clothing flying everywhere over the moshing
crowd. A pair of jeans here, a combat boot there. The band played
songs off both their albums (goddamn that "Everlong"
song is beautiful) before tossing free fudgesicles at the crowd
(how'd that ice-cream vendor end up on stage?) and setting a small
fire on stage to finish off their set.
The promoters shouldn't have scheduled the Watchmen
after the Foo Fighters. No sir. Vocalist Daniel Greaves has a
nice voice which held up nicely during an a cappella number,
but the sad thing about the band is that as good as Greaves voice
is, the songs are just kind of dull. They need to find their own
sound.
Everyone was meanwhile rushing towards the main stage,
and I'm pretty sure they were just positioning themselves for
Green Day, those no-good, cussing, spitting, trouser-dropping
hooligans -- thank God someone still remembers how to entertain
an audience! They pulled heaps of stunts during their 50-minute
set: Billie Joe pulled some guy from the audience to play guitar
with them, poked fun at Marilyn Manson,
played a little Black
Sabbath, covered Op Ivy and danced around in a leopard print G-string.
Oh yeah, and they also set their stuff on fire (not to be out-done
by the Foo Fighters) and tossed marshmallows into the audience.
I kept hoping for that the stage would burn down so that Tea Party wouldn't get to go on, but no such luck. They took the stage and frontman Jeff Martin joked about how they couldn't afford to set their equipment on fire, so instead they'd just lead us into "Temptation." The only thing he lead us into was a mass exodus. Oh sure, Tea Party fans stuck around (along with those too drunk and/or stoned to drive home just yet), but the start of this final set signaled the end of the show for most. By the time the band played "Psychopomp," the rain had stopped, but so what?
Dunno what it is about the Tea Party, but they just don't do it for me. They're like a Doors cover band, playing at half speed, which makes me wonder if the Tea Party were playing last because they were the headliners or because organizers knew the band would provide a mellow pace for the exiting crowd...
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