Review by Daniel Ewacha
Photography by Rodney Gitzel
Truthfully, I was too tired to go out, but felt that
it was my duty as a world class music reporter... okay, stop
laughing!.. to cover this show, and boy, was I glad I did! The
music of Spiritual Heroine, Knock Down Ginger and Sing Sing Dead
Man didn't revive me from my groggy state of being, but did keep
me awake long enough to experience fully the fruits of their labours
before serenading me back into my siesta.
Spiritual Heroine were first on the bill. Imagine
old R.E.M. and Babes in Toyland being joined together in holy
matrimony by the Cocteau Twins. That, in a nutshell, is Spiritual
Heroine. Their music covers a wide range of musical spectrums,
filling every nook and cranny along the way. I didn't get an opportunity
to ask them how long these particular musicians had been playing
together, but I assume not too long, due to the missed
cues and unbalanced timing. Yet the effort was there, and the
general response from the sporadic yet growing audience was positive.
Knock Down Ginger were on trial, I mean on stage,
next. "Knock me two times," as the old Doors' song goes,
or is it "Love me two times?" Hmm. In any case, love
was in the air as Knock Down Ginger spewed out their "grandmother
lovin' Saturday morning wake up at 6:30 a.m. eat five bowls of
Lucky Charms and drink four huge glasses of Quik and watch cartoons
till 12:30 p.m., feeding the cat, high school puppy love"
music. Who says woman can't rock, or that three- or four-part
harmonies have no place in rock? Not I. And after this performance
by this lovely female-dominated band, I defy anyone to say anything
different, thank you very much.
And finally, ladies and gentlemen, I present Sing
Sing Dead Man. If I had known there was music like this being made
in Vancouver, I would have been a much bigger supporter of local
music than I have been in the past. In simplest terms, Sing Sing
Dead Man rule, okay?! Possessed by the likes of Morrissey, the
Cure and Pink Floyd, SSDM brought back fond memories of the 80's
music scene, and put on a tight, clean show. I, unfortunately
being without real transportation (read car), and having
to rely on that joke of a subway (read Skytrain), had to
leave earlier than I wanted to, but rest assured that I will be
front and centre at Sing Sing Dead Man's next gig.
As a side note, I want to use this opportunity to use my power as a music reporter... stop laughing!... to manipulate the media and sound off at this stupid idea of having the last Skytrain leaving downtown at 1:15 a.m., 45 minutes before the clubs shut down, leaving many of us who are stuck living out in the suburbs the choice of leaving a club earlier than we want to, or staying 'til the end of the show and shelling out an extra $10, $20 or $30 for a cab ride home. I say we revolt! Thank you.
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